At the end of this course, students will be able to apply and integrate into a complete project the specific knowledge, abilities, and attitudes of a digital cinema professional. They will also be able to make suggestions regarding possible improvements in the field of communications.  

At the end of this course, students will have developed, under the guidance of a tutor, the fundamentals of a film project, including research, technical and theoretical references, study of similar projects, and the proposal of a theme, script, and screenplay.

The aim of this course is for students to apply the knowledge and skills required to establish communication within various groups and learn how to interact as a member by adopting various roles, for example as a facilitator or an agent of change, to bring about improvements in group dynamics.

By the end of the course, students will have a good command of professional communication skills which will enable them to perform in their area of expertise.

By the end of this course, students will be able to propose innovative communication projects and develop written and visual elements to promote them.

The aim of this course is for students to become acquainted with and apply the strategies which enable the implementation of institutional image and identity.

This course aims to develop basic concepts required for the diagnosis, planning, and implementing of training programs within organizations.

The aim of this course is for students to identify the communication processes within organizations in order to improve their quality and flow through the analysis of communication networks and the types and levels of messages.

By the end of the course, students will learn to manage digital social media under the context of a general marketing strategy and comprehensive brand communication. They will also understand the development of digital social media and their implementation in the work field at a global level.

The aim of this course is for students to understand film narrative through a historical and theoretical revision of the film phenomenon and the evolution of cinematic language.